摘要
任何艺术形式都有其自身的本体特质,而本体特质正是其艺术存在的真正价值,舞蹈也不例外。随着人们欣赏水平和审美意识的提高,舞蹈的选材和内容逐渐向文学与人性拓展,打破了以往传统审美模式,并力求多元化发展。但发展并不意味不顾"本体",失去"本体"也就意味着舞蹈"艺术"的衰败和消亡。舞蹈的发展应遵循"人体艺术"的轨迹,在创作中重申"本体"意识,并就此问题展开探讨,有利于今后的舞剧创作、编排的再思考。
Any art form has its own ontological characteristics. The ontology is the real value of its artistic existence,and dance is no exception. With the improvement of the appreciation and aesthetic awareness,the selection and content of dance has gradually expanded to the field of literature and humanity,which breaks the traditional aesthetic model in order to seek diversified development. However,the development doesn＇t mean that ignores the development of ＂ontology＂,and loss of ＂ontology＂also means that the decline and demise of the ＂art＂of dance. The development of dance should follow the trajectory of ＂human art＂,reaffirm the consciousness of ＂ontology＂in the process of creation hold discussions in terms of this issue,which contributes to the creation,arrangement and rethinking of dance in the future.
出处
《西南科技大学学报（哲学社会科学版）》
2017年第4期51-55,共5页
Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition
关键词
本体意识
借鉴创新
舞蹈创作
Ontology consciousness
Reference innovation
Dance drama creation
