摘要
马克思《1844年经济学哲学手稿》自1932年出版以来,就引起了中西方学者针对其哲学、美学思想持续至今的讨论热潮。中国学界较早表现出对《手稿》美学思想的关注。从新中国建国前夕建设"新美学"的提出,到五六十年代"美学大讨论",再到八十年代"美学热"、九十年代"超越实践美学",直至近年来的"实践存在论美学"之争,《手稿》的美学思想贯穿于中国当代美学理论建设的实践之中。将《手稿》美学思想置于马克思主义文论中国化历程视域下,结合中国的美学实践思考其接受历程,将更鲜明地揭示马克思美学思想的独特意义与中国化的影响过程,于当下中国的文艺实践亦有裨益。
Since its publication in 1932,Marx＇s the Manuscript of Economics and Philosophy in 1844 has aroused a heated discussion between Chinese and Western scholars about their philosophy and aesthetics.Chinese scholars showed their interest in the aesthetics in the book quite long ago. Aesthetics in the manuscript runs throughout the construction of contemporary aesthetic theory of China,from China＇s New Aesthetics put forward just before the founding of the new China,through the Great Discussion of Aesthetics in the 1950＇s and 1960＇s,aesthetics fever in the 1980＇s and ＂beyond practical aesthetics＂in the 1990＇s,to practical ontology aesthetics in recent years. By studying aesthetics in the manuscript from the perspective of Chinesenization of Marxist literary theory and thinking about the acceptance process in the combination of aesthetics practice in China,the unique significance of Marx ＇s aesthetic thoughts and their process of Chinesenization can be revealed more clearly,which is of great benefit to China＇s contemporary literature and arts.
作者
桂书生
GUI Shu-sheng(School of Literature, Anhui University, Hefei 230039, Chin)
出处
《湖北第二师范学院学报》
2017年第7期20-24,共5页
Journal of Hubei University of Education
基金
安徽大学2015级研究生学术创新研究扶持项目(yfc100044)
关键词
马克思
《1844年经济学哲学手稿》
美学思想
中国化
Marx
the Manuscript of Economics and Philosophy in 1844
aesthetics
Chinese characteristics
