摘要
南阳汉画中体现着汉代先民对阴阳相谐的追求。在汉画设计构图中,总是体现一种阴阳的依附性、和谐性与对称性。在刻画动物时,除了约定成俗的阴阳搭配之外,刻意标识雌性动物,以平衡阴阳,用以表达追求阴阳有序、化生万物之吉祥寓意。
There is presentation of Han people's pursuit of the harmony of yin and yang in Nanyang Han paintings. The attachment,harmony and symmetry of yin and yang can be always found in the design of Han paintings. When animals are carved,besides the match of yin and yang,the female animal is marked deliberately to balance yin and yang and to show the auspicious meaning of yin and yang breeding all things.
出处
《南都学坛（南阳师范学院人文社会科学学报）》
2017年第6期18-20,共3页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
关键词
汉画像
阴阳观
动物的阴阳形态
阴阳表现
阴阳记号
Han stone relief
view of yin and yang
yin and yang forms of animals
the expression of yin and yang
yin and yang mark
