摘要
结巴诺特克"查理曼竖立了一尊新塑像金头"的神谕指的是加洛林帝国是一个与古代罗马帝国毫无关系的全新帝国,它具有世界性帝国的辉煌,但也不是一个永恒的世俗政权。结巴诺特克将自己对于加洛林帝国神学历史地位的这一认知充分融入到《查理大帝事迹》的撰写中,既充分强调了它的世界性和一度强盛的国势,又对它的暂时性和最终覆灭的宿命抱有深深的忧虑。
The theological metaphor that the Charlemagne erected the gold head of the statue means that the Carolingian empire is a new empire that had not any relation with the ancient Rome empire. It has the glory of the worldwide empire, but it also is an eternal temporal regime. He wrote The Deeds of Charles the Great in accordance with the cognition about the theological historical status of the Carolingian empire. He fully highlighted its worldwide and its national power that once was mighty. He felt deeply worried about its temporary and its fate of the final end.
出处
《历史教学（下半月）》
CSSCI
北大核心
2017年第11期59-66,共8页
History Teaching
基金
2015年度国家社科基金青年项目“加洛林王朝史学编纂与王室宫廷互动关系研究”(项目编号:15CSS007)
2013年国家社会科学基金重大攻关项目“法兰克时代核心历史文献的汉译与研究”(批准文号:13&ZD103)
中央高校基本科研业务费专项资金资助项目东北师范大学哲学社会科学校内青年基金项目(项目编号:16QX012)阶段性成果
关键词
结巴诺特克
塑像金头
查理曼
《查理大帝事迹》
神学隐喻
Notker the Stammerer, the Gold Head of the Statue, Charlemagne, The Deeds of Charles the Great, Theological Metaphor
