摘要
从三个维度探讨黑格尔的艺术终结:即黑格尔哲学体系下艺术的终结;从艺术史的发展维度上谈艺术的终结;社会现实的维度上谈论艺术的终结;最后在此基础上探讨出黑格尔艺术终结的实质意义,即无论从哪个维度出发,黑格尔都并没有明确断言艺术终结甚至死亡的意思,只是在社会现实的维度上,黑格尔对艺术的发展确实多了少许的悲观主义,这是因为他没有正确预见艺术正是调和个人和社会矛盾的最好方式,是人"诗意的栖居在大地上"的内在需要,所以艺术不会终结,更不会死亡。
This paper discusses the End of Art of Hegel on three perspectives which consist of the philosophy of Hegel,the development of art history,and the reality of society. Based on the discussion,this paper reveals the substantive meaning of the End of Art of Hegel that is on no aspect did Hegel say with certainty what the end or even the death of art was. Only on the perspective of social reality,Hegel held some pessimistic points of view toward the development of art which were due to his failure to realize that art is just the best way to mediate the contradiction between men and the society,also the inner need to be poetic to perch on the earth. Therefore,there is no end or death of art.
出处
《长春工程学院学报（社会科学版）》
2016年第2期68-71,共4页
Journal of Changchun Institute of Technology(Social Sciences Edition)
关键词
黑格尔
艺术终结
实质意义
Hegel
the End of Art
substantive meaning
