摘要
《捉妖记》在魔幻影像叙事中隐喻着"欲望消费"与"伦理德性"的双重蕴含,实现了电影作为"世俗神话"梦幻娱乐和人文情怀兼具的双重功能。它的成功启示我们:无论在影像的情感内涵还是形式表现层面,创作者都须平衡各种艺术元素,在优化影像本体特性的同时,亦须充分凸显电影属于艺术的"人学"主体性,以赋予电影鲜明的既娱乐大众又净化人生的文化品格。
Monster Hun in a fantasy image of narration is a double metaphor of desire consumption and moral virtue, which realizes the two functions of a film that possesses both secular myth entertainment and humanity feelings. The success of the film reveals that art creators should keep balanced among artistic elements from emotions and forms, that the subjectivity of being human must be fully highlighted when the ontological property of the film image is optimized in order to embody films with the cultural character of amusing audience and purifying their lives.
出处
《宁波教育学院学报》
2017年第6期62-65,共4页
Journal of Ningbo Institute of Education
