表皮欺骗与结构欺骗中的建构性探究——当今建筑设计的结构艺术化表达被引量：1

The Tectonic Study in The Time of Surface Deceits and Structural Deceits——The Nowadays Artistic Expression of Structure in Architectural Design

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摘要建构是建筑诗意的表达,即对于建筑本身结构与材料的合理而真实的表达,而表皮是人们对建筑外观最直接的观察对象,在表皮欺骗与结构欺骗横行的大背景下对建筑的建构性表达需要对于建筑真实性与艺术美学的综合权衡。当代的建筑师们正在尝试建筑结构艺术化的道路,主流思想认为这种建构的方式是一种展现建筑本体美感的艺术形式,但是很多不合理的创作让这个课题陷入了一些消极的境地。文章将结合时代的发展和一些建筑思潮的融入,从实际案例出发深入地探讨建筑结构艺术化的建构性道路。 Tectonics is a kind of poetic expression of architecture to show reasonable structure and materials of architecture. Surface is the most direct object when we observe an architecture so the tectonic expression of the surface needs to balance the authenticity and architectural aesthetics. The contemporary architects are thing to building the path of artistic expression of structure because mainstream think that this kind of tectonic method is an important form that can express the artistic beauty of the architecture. However, some unsuitable designs make this subject fall in a negative territory. This article will combine the development of the times and some architectural thoughts to discuss the artistic expression of structure in architectural design with the actual cases.

作者凌致远

机构地区东南大学建筑学院

出处《建筑与文化》 2017年第12期54-55,共2页 Architecture & Culture

关键词结构表现技术表皮建构性艺术化 Structural Expression Technology Surface Tectonics Artistry

分类号 TU318 [建筑科学—结构工程] TU-80 [艺术—艺术设计]

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参考文献2

1爱德华·F·塞克勒,凌琳（译）,王骏阳（校）.结构,建造,建构[J].时代建筑,2009(2):100-103. 被引量：53
2胡莹.建构——对建筑本体的还原[J].华中建筑,2003,21(1):33-35. 被引量：14

二级参考文献21

1La Font de Saint Yenne and Ch.-E.Briseux.Examen d'un Essal sur I'architecture,Paris(1754)p47.quoted in Emil Kaufmann “Die Archiekturtheorie d.franzoesischen klassik et.”Repertorium fuer Kunstwissenschaft.XLIV(1924).p.212.
2Karl Boetticher,Die Tektonik der Hellenen.Potsdam(1852).
3Gottfried Semper.Der Stil in den technischen und tektonischen Kuensten,Brunswick(1861).Munich(1863):2nd edition Munich(1879).
4According to Vernon Lee(Beauty and Ugliness etc.London(1912)p.20)the transiation of “Einfuehlung”as empathy is due to Edward Titchener who used it in his Psychology of Thought Processes.London(1909)six years after the first volume of ‘Theodor Lipps'Aesthetik had appeared.
5Reprintedin:Heinrich Wolfflin.Kleine Schriften,Bale(1946).
6Geoffrey Scott.The Architecture of Humanism,2nd ed.London (1924).p.213.The author refers to W?ifflin in his preface and to Lipps in a footnote on p.213.For a discussion of Scott's relation to Lippsian Theory see Reyner Banham.Theory and Design in the First Machine Age.London(1960).p.67.
7Abstraction and Empathy.Worringer's dissertation was published as a book in 1908.an English translation by M.bullock was published in New York in 1953.
8Ernst H.Gombrich.Art and Illusion.New York(1960).p.21:Meyer Schapiro.“Style”.in Anthropology Today.ed.A.L.Kroeber,Chicago(1953).
9Werner HOfmann.“Studien zur Kunsttheorie des 20.Jahrhunderts.”Zeitschtiftf.Kunstgeschichte,XVIII(1955).p.76.
10Paul Klee.The Thinking Eye.J.Spiller ed.London(1961).p.76.