摘要
本文以将军崖岩画为田野调查对象,论述了将军崖岩画的发现、地理区位、画面分组及画面内容,并应用无人机拍摄和三维扫描技术对将军崖岩画及其周边进行了图像绘制。在此基础上,对将军崖岩画的图像进行了统计与初步分析,并对将军崖岩画的制作方法进行了探讨。以期通过对将军崖岩画系统的田野调查和图像记录为将军崖岩画的年代、内涵、风格分析与文化传播等问题的解决奠定基础。
Taking Jiangjunya rock art as the object of field work, this paper expounds the discovery, geographical location, image grouping and content, and conducts image rendering of the rock art on Jiangjunya and at its surroundings using unmanned aerial vehicle shooting and three-dimensional scanning technology. On this basis, statistics and preliminary analysis are conducted of the images on Jiangjunya so as to explore their production methods. The systematic field work and image recording conducted are expected to lay the foundation for the solving of the problems regarding the age, connotation, style analysis and cultural transmission of Jiangjunya rock art.
出处
《内蒙古大学艺术学院学报》
2017年第4期36-49,共14页
Journal of Art College of Inner Mongolia University
基金
2017年内蒙古自治区高等学校科学研究项目名栏建设专项项目"田野调查"(项目编号:NJMZ1706)系列论文
关键词
将军崖岩画
田野调查
发现史
人面像
Jiangjunya rock art
Field work
History of discovery
Human face
