摘要
中国艺术人类学的发展可分为:学术准备、学术起步、稳健发展3个时期。在后两个时期中,可总结出迈向人民的艺术人类学、田野工作中的艺术人类学、社会发展中的艺术人类学、国际交流中的艺术人类学、本土理论建设中的艺术人类学等5个方面的特点。对中国艺术人类学20年的发展之路概括。任何新的理论都是来自于新的社会实践,中国30年来的巨大变化,为中国学术理论创新提供了许多研究资源,尤其是艺术人类学。因为作为它研究对象的艺术,在社会实践方面往往具有先锋性,其所具有的创造性精神,往往是冲破旧藩篱的一种力量。为此,艺术人类学学者们所收集的丰富田野材料和所进行的大量社会实践,正在促使本土理论进一步完善,并汇集为一股推动中国学术创新的重要力量。
The development of Chinese anthropology of art can be divided into three periods ： academic preparation period, early academic development period and solid development period. The sec- ond and the third periods feature people-oriented anthropology of art, anthropology of art in fieldwork, anthropology of art in social development, anthropology of art in international communication and an- thropology of art in construction of native theories. An overview of the development of Chinese anthro- pology of art in the past 20 years indicates that any new theory comes from new social practice. The great changes in China over the past 30 years have provided rich research resources for innovation of academic theories in China, especially theories in Chinese anthropology of art. As a research object, art is often a pioneer in social practice and its creative spirit is often a force to break through the old barriers. Similarly, the rich fieldwork materials collected by anthropologists of art and their extensive social practice are promoting an improvement in local theories and are becoming an important force to stimulate academic innovation in China.
出处
《思想战线》
CSSCI
北大核心
2018年第1期8-20,共13页
Thinking
关键词
中国艺术人类学
本土理论
艺术民族志
艺术人类学分期
Chinese anthropology of art, native theory, ethnography of art, stages of anthropology of art
