摘要
关于昆曲的保护与传承一直以来就有两种观点:一种认为应该"原汁原味"地保存,一种主张在发展与创新中保存。因为昆曲一直处在发展变化的状态中,所以"原汁原味"的节点难以界定。由于种种原因,昆曲表演人才的传承与培养相当艰难,需要各方携手共同解决困难。有效地培养昆曲观众,可以解决昆曲在传承之路上的部分问题。继承和发展都只是昆曲保存链条上的重要一环,必不可少的一环,二者是统一的。只有将静态方式和动态方式有机地结合起来,内外兼修,团里团外联手,昆曲才有可能获得最大的保护与传承。
There have been two approaches to the preservation and inheritance of kun opera： one is to preserve the ＂original flavor,＂ and the other, to develop it with creativity. Since kun opera has historically undergone changes, it is hard to define the concept of its ＂original flavor.＂ Due to this complicated situation, the training of kun opera singers has met with many difficulties that need to be overcome through joint efforts. Preparing the audience adequately for the theatre may be one solution to the predicament of the inheritance of kun opera. Inheritance and development are both indispensable and they form a unity. Kun opera could be best preserved and developed when the static and dynamic methods are united, the internal and external perspectives are both adopted, and the professionals join hands with the non-professionals.
出处
《戏剧艺术》
CSSCI
北大核心
2018年第1期103-112,共10页
Theatre Arts
基金
上海高峰高原学科建设计划(项目编号:SH1510GFXK)阶段性成果
关键词
昆曲
保护
传承
kun opera
preservation
inheritance
