摘要
建筑表层由表皮演化而来,最初指建筑外界面所形成的整体,后拓展为一种城市层面的操作策略。在当代设计中,建筑表层呈现出异化为时尚图像的趋势,其作为物质实体的真实性和空间性正在消逝。表层对地景的再现作为对上述的抵抗,成为通向场所精神的路径,展现出基于图像、材料知觉和空间体验三种再现模式。通过对南京钟灵街树园项目中地形表层和立面表层的设计探索,揭示了表层再现地景的具体方式,回应了建筑应如何自处于大地之中。
The definition of architectural surface derives from the architectural skin.Initially, it refers to not only facades but also all the components that enclose the whole building,and then it extends to be an operation strategy at the urban level. However in contemporary design, architectural surface trends to dissimilate as a fashion image, while its authenticity and spatiality seem to vanish gradually. Surface as representation of landscape is the strategy proposed to resist the above trend, which achieves to be a way leading to genius loci. It includes three modes of representation that are respectively based on image, material and spatial experiences. Through the design exploration of terrain and facade in the Tree Garden project,the methodology of landscape representation is revealed, whilst responding to the question of how architecture can be integrated with the land.
出处
《新建筑》
2018年第1期54-58,共5页
New Architecture
关键词
建筑表皮
建筑表层
地景
再现
场所精神
architectural skin, architectural surface, landscape, representation, genius loci
