摘要
在中国"红颜祸水"论古已有之,但是直到宋元以后话本小说兴起,尤其是明清时期小说发展进入高峰期,妲己、薛素姐等一系列"红颜祸水"的形象才被惟妙惟肖地勾画在文本里、演绎在戏剧中。这篇论文以《封神演义》《醒世姻缘传》为例,分析其中"红颜祸水"形象的历史隐喻,指出:宋朝以后,随着父权制的衰落和商品经济的发展,女性的独立意识开始觉醒,并冲击着原有的家庭和社会的伦理秩序;上至统治阶层,下到平民百姓都对于女性"叛逆"力量产生深切的恐慌心态。面对女性主义与资本主义共同萌芽带来的挑战,儒家文化利用小说大力塑造"红颜祸水"的舆论,借助大众化、民主化的文化消费,进一步实现其世俗化的发展。
In China,the theory of ＂Beauty Disaster＂ existed in ancient times. However,not until story-teller＇s scripts came to life after Song and Yuan Dynasty,especially until the development of novel reach its peak during Ming and Qing Dynasty,was a series image of ＂Beauty Disaster＂ like Daji and Xue Sujie described vividly in texts and acted in drama. This article takes The Investiture of the Gods and the Moralizing Marriage affinity for instance to analyze the historical metaphor of the image of ＂Beauty Disaster＂. After the Song Dynasty,With the decadency of patriarchy and the development of commodity economy,women are gradually more aware of independence,which has certain effect on the traditional ethic order of the family and society. From the ruling class to civilians,people are all panic about such rebelling strength of women. In confront of the joint shock of feminism and capitalism,Confucian culture furthered its secular development by using novels to shap the public opinion of＂Beauty Disaster＂and drawing support from the popular and democratic cultural consumption.
作者
陈逸鸣
CHEN Yi-ming(Institute of literature,Central China Normal University,Wuhan 430079,Chin)
出处
《宜春学院学报》
2018年第5期97-102,共6页
Journal of Yichun University
关键词
明清小说
“红颜祸水”
历史隐喻
novels of the Ming and Qing dynasties
＂Beauty Disaster＂
historical metaphor
