摘要
现代人的这一生存形态在本雅明笔下得到了很好的展现,在他看来,现代人在现代性都市空间中体现出其独特的生活样态,是其设计拱廊街研究计划的不可或缺的组成部分。本雅明紧紧抓住了现代都市生活中漫步于拱廊街上的闲逛者与浪荡子,揭示了现代人在都市生存中的特有心理机制。本雅明凝视和关注着拱廊街的闲逛者和都市浪荡子,并以此表征出现代性都市中大众的生存诸相及其背后的审美救赎隐喻。尽管本雅明提出的现代人救赎理念最终消融在一种审美印象式的解读和阐释之中。但在这样的一种审美规划下,现代人也许可以选择摆脱异化文化的束缚,实践现代性审美生存的另一种可能,并最终建构一种诗意栖居的审美化生存理念。
The existence form of m under the pen of Walter Benja flected by modern people in th odern people has been well displayed thinks that the unique life style re- urban space is an indispensable part He focuses on the flaneur who wan- e psychological mechanism of modern e modern design of ＂the Arcades Project＂ ders in the arcades, revealing the uniqupeople in urban life. Benjamin fixes his gaze and looks at urban flaneur in the arcades, and based on this, he interprets the image of masses existing in the modern city and the aesthetic redemption metaphor behind it. The modern re- demption philosophy proposed by Benjamin is finally dissolved in the interpre- tation of Aesthetic impressionism. However, under such an aesthetic plan- ning, modern people may choose to get rid of the constraint of alienation cul- ture, practice another poss ally construct a concept of ibility of modern aesthetic poetic living and aesthetic existence, and eventu- existence.
出处
《文化研究》
CSSCI
2017年第4期284-293,共10页
Cultural Studies
基金
国家社科基金项目“齐美尔与法兰克福学派文艺理论的关联研究”(项目号:10CZW007)免予鉴定成果
