摘要
随着社会精神文明的进步,建筑逐渐发展成为一种文化符号,如何在现代化的建筑设计中融入传统文化符号,成为当代中国建筑设计师较为关心的一个问题。贝聿铭设计的香山饭店是我国改革开放初期将现代建筑的设计手法与中国传统文化符号结合的代表建筑,因此,文章从符号学的角度出发,分析香山饭店建筑设计中传统民居建筑符号、传统建筑装饰符号以及传统园林建筑符号的应用,旨在为我国当代建筑设计进一步与传统文化符号相融合提供一定的思路。
With the development of social spiritual civilization,architecture has gradually developed into a cultural symbol.How to integrate traditional cultural symbols into modern architectural design has become a problem that contemporary Chinese architects are more concerned about.The Xiangshan Hotel designed by Leoh Ming Pei is a representative building that integrates the design techniques of modern architecture with traditional Chinese cultural symbols at the beginning of reform and opening up in China.Therefore,from the perspective of semiotics,the article analyzes the application of traditional residential building symbols,traditional architectural decoration symbols and traditional garden architecture symbols in Xiangshan Hotel design.It aims to provide some ideas for the integration of contemporary Chinese architectural design with traditional cultural symbols.
作者
杨洁
潘俊峰
Yang Jie;Pan Junfeng.
出处
《家具与室内装饰》
2018年第6期70-71,共2页
Furniture & Interior Design
关键词
香山饭店
建筑设计
建筑符号
中国传统文化符号
Xiangshan Hotel
Architectural Design
Architectural Symbols
Chinese Traditional Cultural Symbols
