摘要
"诗中有画"是王维山水诗的艺术特点,而作为与王维齐名的盛唐山水诗人孟浩然,其山水诗也有此类特征,只是一直以来很少受到学界的关注。孟浩然山水诗不仅对绘画艺术中的设色、布局、构图、线条等画法进行巧妙地借鉴和运用,而且在融合诗画的过程中产生出既包孕诗、画意境又超越诗、画意境的独特意境之美,从而实现情与景、物与我、主观与客观的完美统一。孟浩然将肇基于谢灵运山水诗"诗中有画"这一独特艺术特征自觉运用到自己的山水诗创作中,并开王维等盛唐山水诗派之先,在文学史上具有不可忽视的承前启后的诗学意义。
That there are paintings in poems is Wang Wei ’ s artistic feature. Meng Haoran, a landscape poet of the Tang dynasty, as famous as Wang Wei , his poems also have such characteristics in his landscape poems , which attracts little attention from the academia. Not only does Meng Haoran pay much attention to color setting, layout, composition, line and other in his landscape poems , but presents a kind of unique artistic conception which bears poem-painting prospect, at the same time, surpasses poem-painting prospect, to realize the perfect unification be-tween the emotion and the scenery, between objects and I, between the subjective and the objective. Meng Haoran consciously applied the unique artistic feature of Xie Lingyun ’ s landscape poem “ painting in poetry ” to his own landscape poems , being one of leading roles of landscape poems school as Wang Wei in the Tang Dynasty. In the hist.可 of literature, it is of great significance to connect the past and the past.
作者
刘燕
郭春林
LIU Yan;GUO Chunlin(College of Chinese Language and Literature,Guangxi University,Nanning 530004,Chin)
出处
《湖北文理学院学报》
2018年第7期21-26,共6页
Journal of Hubei University of Arts and Science
基金
国家社科基金重点项目(17AZW009)
关键词
孟浩然
山水诗
诗中有画
诗画互通
Meng Haoran
landscape poetry
paintings in a poem
exchange of poetry and painting
