摘要
"泗水捞鼎"图是画像石(砖)中较为典型的汉画图案,集中出土于山东、江苏、河南、四川四省。不同地区的图案组合有同有异,根据图案组合和组合的变化情况,可以初步得出该图案流传路线依次为山东、江苏、河南、四川。到了四川后,捞鼎图像进入转变发展期,这里也是捞鼎画像最晚消失的地区,其图像结构的变化与移民的迁入以及当地葬俗等文化的影响有很大的关系。
＂Retrieving the Ding from the Sishui river （sishui laoding）＂ is a typical motif imaged in the pictorial stones and bricks of the Han Dynasty, which were mainly discovered in Shandong, Jiangsu, Henan,and Sichuan provinces. While sharing some similarities, the images depicting this motif vary from region to region with regards to the composition. A close study on the images and their transitions suggests that they were spread from Shandong to Jiangsu, Henan, and Sichuan in a row. After their arrival in Sichuan, variations started to be seen. It is also in Sichuan that the latest images of this motif were found. The transformation of these images is believed to have a close tie with the migration in Sichuan and have been significantly influenced by local cultural elements such as burial customs.
作者
张艳秋
ZHANG Yan-qiu(School of History,Nanjing University,Nanjing,Jiangsu,210023)
出处
《东南文化》
CSSCI
北大核心
2018年第4期49-56,共8页
Southeast Culture
关键词
汉代
画像石
泗水捞鼎
组合
流传路线
Han Dynasty
pictorial stones
sishui laoding
variations
spreading route
