摘要
袁静芳先生是中国传统音乐乃至我国音乐学研究领域的旗帜性学者。回顾袁静芳先生的研究轨迹不难发现,她的研究重心主要集中于两个方面,一个是道教、佛教音乐研究,另一个是乐种学研究。本文通过对"乐种"与"乐种学"学术史的简短梳理及乐种学对中国音乐理论话语权建立意义的阐释等方面,论述从袁静芳先生对中国传统音乐理论构建的贡献及意义。
Professor Yuan Jing-fang is a representative scholar in the field of Chinese traditional music and even in the study of Chinese musicology. Through review on Profess Yuan Jing-fang＇s research track,it is easy to find that her research focuses on two aspects,one is Taoist and Buddhist music studies,the other is music types research.Based on the brief summary of music types and musicology as well as the interpretation of significance of musicology on the establishment of China music theory discourse,this paper discusses the contribution and significance of Professor Yuan Jingfang to the construction of Chinese traditional music theory.
作者
潘捷
PAN Jie(School of Art and Media,Anhui University,Hefei 230039,China)
出处
《长春大学学报》
2018年第7期121-124,共4页
Journal of Changchun University
基金
安徽省高校人文社会科学研究重点项目(SK2017A1033)
关键词
袁静芳
乐种
乐种学
话语权
中国传统音乐理论
Yuan Jing-fang
music type
musicology
right of discourse
Chinese traditional music theory
