摘要
长期以来,朦胧诗的身世之谜是一个充满争议的话题,关键之处大概还是朦胧诗的源头所由何来。黄翔并不是后来公认的朦胧诗代表诗人,但他的创作中包含着朦胧诗创作的先导性因素。在朦胧诗演变的历史链条上,食指被认为是一个相当关键甚或具有标志性意义的诗人。根子的创作在很长时间里没有得到应有的重视,他的长诗《三月与末日》即使在所有朦胧诗人的创作中,也称得上是巅峰性的作品。
The birth of misty poetry has been a controversial topic for a very long time. The bone of contention is the source of the misty poetry. Huang Xiang is not an acknowledged representative poet of misty poetry,however,his poems contain the leading factors of misty poetry. In the long history of misty poetry,Shi Zhi is identified as a key or even an iconic poet. The poems of Gen Zi are not given the attention they deserved for ages. His long poem ＂March and Doom＂deserves to be called an peak poem even among the poems of all the misty poets.
作者
吴投文
WU Tou - wen(School of Humanities, Hunan University of Science and Technology; Xiangtan 41120)
出处
《阴山学刊》
2018年第3期47-54,共8页
Yinshan Academic Journal
基金
湖南省社科基金项目"中国新诗文化的多维透视与实践意义"(13YBA151)阶段性研究成果
关键词
朦胧诗
黄翔
食指
根子
misty poetry
Huang Xiang
Shi Zhi
Gen Zi
