摘要
"漫威电影宇宙"以其独特的传播方式与叙事策略,成为了近十年来最成功的好莱坞商业电影范式与最重要的全球媒介文化景观。本文通过对"漫威模式"的文化构成与"电影宇宙"的媒介实践进行历史回溯与话语解构,来揭示这一范式背后的意识形态与文化逻辑,以及新媒介技术与文化工业的全新同谋关系,并对当下的融合叙事崇拜现象进行批判。"漫威电影宇宙",连接的是数字化资本主义对超工业化时代的媒介建设蓝图与"控制社会"图景。
＂Marvel Cinematic Universe＂ has become the most successful Hollywood commercial movies paradigm and the most important global cultural landscape in the past decade with its unique mode of communication and narrative strategy.Taking this fact as premise,this article reveals the ideology,cultural logic,and new complicity relationship between media technology cultural industry behind this paradigm.Then it criticizes the worship at the altar of convergence.The MCU links to the ＂Control Societies＂ picture of digital capitalism and the blueprint for media construction in the age of Hyper-Industrialization.
出处
《电影艺术》
CSSCI
北大核心
2018年第4期108-115,共8页
Film Art
基金
国家社科基金艺术学青年项目(16CC150)
上海市"晨光计划"项目(17CG71)
关键词
漫威电影宇宙
融合叙事
时间客体
控制社会
内爆
Marvel Cinematic Universe
convergence narrative
object temporal
control societyCinematic Universe
Convergence Narrative,Object Temporal
Control Societies
