摘要
本文以现代性批判的视角,分析了近年来艺术介入社会与艺术乡建的方式及其存在的问题。批判了"乡村"开始成为一种消费主义的生活方式,一种不经意间被外部力量所挟持、包装的价值观,一种被无数主体重新加以消费与言说的话语和形象的现实。指出了本文所提倡的艺术乡建样式,是从乡村社会的宇宙世界、审美传统和情感诉求出发,通过"多主体"在地互动的艺术现场,以及公共的仪式情感活动,来实现链接个体、自然、社区与国家之间"四位一体"的平衡关系。
This paper analyzes the ways in which art has been involved in social and artistic construction in recent years and its existing problems from the perspective of modernity criticism, it criticizes that ＂countryside＂ has begun to become a consumerist lifestyle, a value that is inadvertently held and packaged by external forces, a reality of discourse and image that has been re-consumed and spoken by countless subjects. The artistic rural construction advocated in this paper is based on the cosmic world, aesthetic tradition and emotional appeal of rural society, through the interaction of ＂multi-subject＂ in the art scene, as well as public ritual and emotional activities, to achieve the balance of ＂four in one＂ between individuals, nature, communities and the state.
出处
《公共艺术》
2018年第5期30-32,共3页
Public Art
基金
国家艺术基金2017年度项目<"艺术推动村落复兴"的历史文化名村创意社会人才培养>(502170101)阶段性成果
关键词
艺术乡建
乡村精神
现代性批判
消费主义
artistic rural construction
rural spirit
modernity criticism
consumerism
