摘要
以《心迷宫》《白日焰火》《暴雪将至》等电影为代表的黑色电影是近年国产电影最让人惊喜的收获之一。它们不仅通过风格化的影像、复杂的叙事为当代中国电影贡献了一种富有魅力的电影美学,同时也积极面向社会议题和历史记忆,具有鲜明的社会历史内涵。和直接指涉现实的写实主义电影不同,电影语言和叙事方式是我们把握其现实性的关键。当代国产黑色电影不仅通过视觉上的黑色表达对时代、历史的感觉体验,更重要的是通过悬念重重的迷宫叙事,用沉默和含混来言说某些不能直说的现实经验和历史记忆。唯有通过关注文本空白和缺席的症候式阅读,阐明文本欲说还休的暴力犯罪与社会历史的联系,才能揭示当代国产黑色电影的意义和价值所在。
Black film noir,represented by films such as maze of the heart,black coal,thin ice and snow is coming,is one of the most surprising gains of domestic films in recent years.They not only contribute a kind of attractive film aesthetics to contemporary Chinese films through stylized images and complex narration,but also actively face social issues and historical memories,with distinct social and historical connotations.Different from the realistic films which directly refer to the reality,the language and narrative mode of the films are the key to grasp their realism.Contemporary domestic black films not only express their sense of time and history through visual black;What is more important is to use silence and ambiguity to express some unspeakable real experience and historical memory through the suspense maze narration.Only by paying attention to the symptomatic reading of blank text and absence,and clarifying the relationship between violent crimes and social history that the text wants to return to the past,can the significance and value of contemporary domestic film noir be revealed.
出处
《浙江传媒学院学报》
2018年第6期88-94,150,共8页
Journal of Zhejiang University of Media & Communications
关键词
黑色电影
社会批判
视角叙事
迷宫诗学
暴力犯罪
Black Film
Social Criticism
Perspective Narration
Labyrinth Poetics
Violent Crime
