摘要
英国诗人济慈诗作《希腊古瓮颂》将绘画艺术与诗歌相互打通,充分体现了“沉默”对诗的语言的原创性作用,因而也就表达了“沉默”中的“美”所必然造就的那个“真”的艺术现实。
This paper is intended to discuss the artistic function of 'silence'. The author, taking John Keat's 'Ode on a Grecian Urn'as an example which illustrates the identity of painting and poetic creation, argues that 'silence' plays an original part in the generating of poetry which leads to the creation of a 'true' artistic world in the beautifulness of silence.
出处
《商丘师范学院学报》
CAS
2002年第3期24-26,共3页
Journal of Shangqiu Normal University
