摘要
郭绍虞的中国诗学批评鲜活地表征出中国"文化诗学"的三重品格:审美性品格、文化学品格、阐释学品格:郭绍虞标举"纯文学"观念,高扬情感美学大旗,并衍生出颇具现代性意味的审美文化批评;郭绍虞的中国诗学批评,往往紧密联系理论流派和时代思潮,在历史的动态发展中阐释其意义,具有鲜明的思想史、文化史的性质;郭绍虞所谓"保存古人的面目",不仅仅是恢复和解释一个已经存在的本文,更是一种诠释范式的建构。郭绍虞的中国诗学批评自觉将民族意识与现代文化意识融合在一起,致力于中国诗学的重估、反思和重建,又注意吸收外来文化,一定意义上为中国文化诗学批评提供了一个典型样本。
Guo Shaoyu(1893-1984) was a famous classical literature in China.His Chinese poetic criticism vividly embodies the triple character of Chinese "cultural poetics",i.e.aesthetic character,cultural character and hermeneutic character.Guo Shaoyu advocates the concept of "pure literature ",highlights the flag of emotional aesthetics,and derives aesthetic and cultural criticism with modernity.His Chinese poetic criticism is often closely related to theoretical schools and current trends of thought.It interprets the significance in the dynamic development of history.It has distinct characteristics of ideological history and cultural history.Guo Shaoyu’s so-called "preservation of the original of the ancient"is not only to restore and explain an existing text,but also to construct an interpretation paradigm.Guo Shaoyu ’s Chinese poetic criticism consciously integrates national consciousness with modern cultural consciousness,devotes itself to the revaluation,reflection and reconstruction of Chinese poetics,and pays attention to absorbing foreign cultures.In a sense,it provides a typical sample for Chinese cultural poetic criticism.
作者
何旺生
HE Wang-sheng(College of Literature,Hefei Normal University,Hefei 230601,China)
出处
《湖北第二师范学院学报》
2018年第12期1-7,共7页
Journal of Hubei University of Education
基金
国家社科基金项目"中国文论现代化进程中的郭绍虞经验及其意义研究"(12BZW004)
关键词
郭绍虞
中国诗学批评
文化诗学
表征
Guo Shaoyu
Chinese poetics criticism
cultural poetics
representation
