摘要
童子纹样是人们喜闻乐见的传统纹样之一,是渗透于生活之中的艺术,在中国的文化民俗里有着特殊的人文情趣。文章依托江南大学民间服饰传习馆,以清末民国时期33件带有童子纹样的近代汉族民间服饰品为例,厘清童子纹样的概念,对童子纹样的造型手法、构图形式和色彩特征进行了归纳与总结,并进一步结合实例剖析童子纹样所蕴含的艺术文化内涵。研究表明,童子纹样表现内容丰富,艺术特征鲜明,作为一种文化符号和装饰载体凝聚了民众对"多子多孙"的情感渴望,寄托了"祈富求名""求喜求乐"的美好愿望,指出正确认识和深刻了解童子纹样有助于为现代艺术设计提供丰富的图案素材和文化内涵。
Boy pattern is one of the popular traditional patterns.It is an art in life and is culturally interesting in folk customs in China.Based on case study of 33 pieces of contemporary Han folk clothes and accessories in the period of the Republic of China collected in the Folk Costumes Museum of Jiangnan University,this study aims to clarify the concept of boy patterns,summarize styling techniques,compositional forms and color characteristics of boy patterns,and analyze artistic and cultural connotation of boy patterns in combination with examples.Study shows that boy patterns are rich in content and distinctive in artistic characteristics,bear people’s emotion of“having many sons and grandsons”as a cultural symbol and decorative carrier,and expresses good wishes of“blessing and courting fame”and“courting joy”It is pointed out that a correct and profound understanding of boy patterns helps to provide rich pattern materials and cultural connotation for modern art design.
作者
梁惠娥
吴玥
LIANG Huie;WU Yue(School of Textiles and Clothing Jiangnan University,Wuxi 214122,China;Jiangsu Research Center for Intangible Cultural Heritage,Jiangnan University,Wuxi 214122, China;Master Studio,Wuxi Institute of Arts&Technology,Wuxi 214206,China)
出处
《丝绸》
CAS
CSCD
北大核心
2019年第2期77-83,共7页
Journal of Silk
基金
国家社科基金艺术类重点项目(15AG004)
关键词
近代汉族
民间服饰
童子纹样
祈子观念
艺术形式
文化内涵
contemporary Han
folk costumes
boy pattern
concept of praying for children
art form
cultural connotation
