摘要
在文化产业的输入与输出中,古老的民间文化传承在多年近代化的探索中已然落了下风,传统民间文化遗产的保护呼声也越来越大,近年来,有专家提出了"文化生态壁龛"的文化遗产保护理念,这种理念注重于建立文化环境整体的生态保护区域,从继承人和继承技术的考虑,再进行适当的文化生态产品输出,这种文化保护理念很好地完成了铜鼓客家山歌的保护与传承,而在市场文化产业的传承探索关键,更是铜鼓客家山歌产业化探索的必经之路。
In the input and output of the cultural industry,the ancient folk cultural heritage has fallen behind in the exploration of many years of modernization,and calls for protecting the traditional folk cultural heritage are growing.In recent years,some experts have put forward the cultural heritage protection concept of"cultural ecological niche",which focuses on the establishment of the ecological protection area of the whole cultural environment.From the perspective of inheritors and inherited technologies,it exports the cultural and ecological products appropriately.This concept of cultural protection has well completed the protection and inheritance of Tonggu Hakka folk songs,and heritage exploration in the market cultural industry is the only way to explore the industrialization of Tonggu Hakka folk songs.
作者
周琪
ZHOU Qi(School of Music and Dance,Yichun University,Yichun Jiangxi,336000)
出处
《山西大同大学学报（社会科学版）》
2019年第1期101-103,共3页
Journal of Shanxi Datong University(Social Science Edition)
基金
江西省社会科学研究"十三五"规划课题(18DQ32)
关键词
铜鼓客家山歌
产业化
探索
Tonggu Hakka folk songs
industrialization
exploration
