摘要
海战电影作为一种日本的电影(亚)类型,反映了影像书写者是如何对历史进行记忆的。这种电影类型强化了海洋的文明记忆面向。这种面向在21世纪后同海战电影的变奏结合在一起,为军国主义招魂提供了空间。近年来在市场与艺术评价方面均获得成功的海战电影《永远的零》运用电影类型成规,将平庸的恶变成记忆的逻辑,完成了对军国主义的“自然化”。
The Naval War Film,a Film genres in Japan,reflects how the image writer documents the history by and about in character,has been emphasizing on the memory of marine oriented civilization.Such orientation combined with the variation of sea war movies in the new century,provided chance for the militarism to return.In recent years,Eien no zero,a Naval War Film,has been successful in both market and art evaluation,provide a model of the naval war film that used the genres to transform the mediocre evil into the logic of memory.By analysis the film,the article point out it also made militarism naturalized.
出处
《文化研究》
CSSCI
2018年第3期249-260,共12页
Cultural Studies
