摘要
邹弢在《海上尘天影》中构建了三重不同的叙事空间,分别是:绮香园、战场空间与海外空间。这三重空间分别对应着作者的三重理想:风流逍遥的名士梦、爱国忠君的抱负以及师法泰西的洋务理想。这三重空间在文化内涵上无法并置在同一层面,它们之间有矛盾与冲突,因此在文本叙事中便呈现出了裂缝。小说带有过渡文本的特性,体现了知识分子回应时代变革时的复杂心态。
In Hai Shang Chen Tian Ying , Zou Tao constructs three different narrative spaces, namely, Qixiang Garden, the battlefield space and the overseas space, which respectively correspond to the author’s three ideals: the romantic and free dream of celebrities, the ambition of patriotic and loyal gentleman, and the foreign ideal of learning from the west. These three spaces cannot be placed at the same level in cultural connotation and there are contradictions and conflicts among them, which causes the crack in the text narration. The novel has the characteristic of transitional text, which embodies the complex mentality of intellectuals in response to the changes of the times.
作者
童敏
TONG Min(School of Literature, Southwest University, Chongqing 400715, China)
出处
《鲁东大学学报（哲学社会科学版）》
2019年第2期61-66,78,共7页
Ludong University Journal:Philosophy and Social Sciences Edition
关键词
《海上尘天影》
叙事空间
叙事裂缝
Hai Shang Chen Tian Ying
narrative space
narrative crack
