摘要
中国当前的民族音乐学研究需要在认识论上确立"深耕研究意识"这个观念,尤其落实到具体解决"音乐事象"与"理论阐释"的关系问题上,更是需要确立"民族音乐学深耕研究意识"。"实践深耕"实现的方法是在田野作业过程中,注重"解题""不放过与不轻信""抽离≠脱离"三组"关键主题词"的理解和运用。发现音乐事象背后的族群音乐特质及其文化内涵本质是"实践深耕"的目的,也是"音乐事象"要揭示的本质。实现"理论深耕"的方法是确立学术研究要有具体理论支持的观念、要细读理论、寻求理论建构。发现借用和建构的某一理论的指向空间和生成可能是"理论深耕"的目的,也是"理论阐释"要探究的本质。总之,谋求最终获得"音乐事象"和"理论阐释"两个本质的契合点,是解决二者"两张皮"问题的关键所在,也是民族音乐学具体议题达成深耕研究目标的标识。
The notion of “deep ploughing research awareness” should be established methodologically in current Chinese ethnomusicology, in particular in the specific relationship between “music matters” and “theoretical illustration” when the “deep ploughing research awareness of ethnomusicology” has to be established. The way to realize “practical deep ploughing” is to emphasize the understanding and use of three groups of “key thematic words”, namely “solving the problems”,“never neglect and never believe easily”, and “detach is not escape”. Finding the music characteristics and cultural connotation is the aim of “practical ploughing” and the essence of “music matters”. The method to realize “deep ploughing” is to establish the fact that academic research should have specific theoretical concepts, should read theories, and should look for theoretical construction. Finding the directed space and generation of a borrowed or constructed theory may become the aim of “theoretical deep ploughing” and it is also the essence that “theoretical illustration” should investigate on. Afterall, looking for the integrating point of the two essences,“music matters” and “theoretical illustration”, is the key of the resolution of the problems of “two pieces of leathers”, and it is also the symbol of whether or not the deep ploughing research aim is agreed in specific ethnomusicological issues.
作者
马琦玥
Ma Qiyue(Chinese Conservatory of Music, Beijing, 100101)
出处
《民族艺术研究》
CSSCI
2019年第2期148-156,共9页
Ethnic Art Studies
关键词
民族音乐学
深耕研究意识
理论深耕
实践深耕
本质契合点
ethnomusicology
the deep ploughing research awareness
theoretical deep ploughing
practical deep ploughing
integrating point of the essence
