摘要
从戏剧思潮的角度看,荒诞派戏剧不仅是一个流派,它更重要的是20世纪西方现代主义、后现代主义戏剧思潮整体发展的一个具有决定性意义的阶段。本文以荒诞派戏剧在国内和国外两个场域的研究发展为主要论述对象,以荒诞派戏剧的演化历程为经、荒诞派戏剧的代表作及内容分析为纬来综述荒诞派戏剧研究的历史成果与现状探讨。最终综合各时期的阶段成果,发掘出荒诞派戏剧的创新性研究方向,对国内研究的深度以及国外研究的整合度予以期望。
Absurd Plays don’t belong to any genres from the aspect of play trends,which means,more importantly,a decisive stage that reflects the plays’developments of both western modernism and post-modernism in the 20th century.This thesis discusses the main objects:research developments of both home and abroad,and also centers on the process of evolution as well as the representative works and content analysis,then summarizes its historical results and current situations.Ultimately,we can explore the innovative research orientation of absurd plays in terms of the different stages,which may notably give expectations to domestic research in depth and improve the integration of foreign research.
作者
范冬梅
FANG Dong-mei(School College of Chinese Language & Literature,Central China Normal Unversity,Wuhan 430079,China;College of Foreign Languages,Hankou Institute,Wuhan 430212,China)
出处
《湖北第二师范学院学报》
2019年第3期1-6,共6页
Journal of Hubei University of Education
