摘要
明末清初的诗歌创作领域出现过大量反映时代变革的作品,在众多诗人当中,函可和鄂貌图颇具代表性。从两位诗人的作品中可见满汉两个民族文化的交融与不同走向。函可的诗歌悲慨含蓄,鄂貌图的诗歌豪放沉郁;函可从江南流放到东北,写出了北方的寒冷萧瑟,鄂貌图从满洲挺进关内,南方温润清丽的景色自然流入诗人笔端。函可和鄂貌图的诗歌异同互见,共同构成时代的历史画面。二人对清初诗坛均产生了较大影响。
In the field of poetry creation in the late Ming and early Qing Dynasties, there have been many works reflecting the changes of the times. Among many poets, Han Ke and Emaotu are quite representative. From the works of the two poets, the blending and different trends of two national cultures in Manchu and Han could be seen. The poetry of Han Ke showed sorrow and subtle, and the poetry of Emaotu is unrestrained and sullen. Because Han Ke was exiled from the south of the Yangtze River to the northeast, he wrote the cold bleakness of the north. Emaotu advanced into the customs from the Manchuria, the southern gentle and beautiful scenery naturally flowed into his poet s writing. There were similarities and differences between Han Ke and Emaotu s poetry, they constituted the historical picture of the times together. Both of them had a great influence on the poetry circles in the early Qing Dynasty.
作者
张雪扬
ZHANG Xueyang(College of Politics and Law, Shenyang University, Shenyang 110041, China)
出处
《沈阳大学学报（社会科学版）》
2019年第2期245-248,共4页
Journal of Shenyang University:Social Science
基金
辽宁省教育厅科学研究课题基金项目(W2014305)
关键词
清初诗歌
满族诗人
函可与鄂貌图
诗歌比较
poetry in the early Qing Dynasty
Manchu poets
Han Ke and Emaotu
poetry comparison
