摘要
“新评弹”并不是一个新词,历史上的“新评弹”已然成为我们今天的“传统”,为什么现在又会产生“新评弹”?“新评弹”新在何处?作者立足当下,将“新评弹”放入历史维度进行了描述与阐释,思考国家、地方和个人与“新评弹”的关系,旨在洞察以“新评弹”为代表的传统文化的走向。
How does"new pingtan"appear?What is new about this narrative singing genre?The author,though against a historical context,focuses on the reality,touching on the relations between this genre and the state,regions and individuals,in order to give her insight into the trend of traditional culture as represented by this new genre.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2019年第1期161-175,共15页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2015年国家社科基金艺术学青年项目:“城市语境中评弹的生态研究”,项目批准号:15CB125
