摘要
以考证清冷枚《避暑山庄图》创作年代为目的,旨在深入研究借鉴康乾时期避暑山庄皇家园林风格特色。通过比对康熙朝沈嵛《避暑山庄三十六景图》和乾隆朝《钦定热河志·避暑山庄总图》等清代宫廷绘画史料,对以往冷枚《避暑山庄图》创作年代的"定论"提出异议。分析冷枚采用夸大主体、舍弃客体的画法,推断其《避暑山庄图》是以表现乾隆纪念其祖康熙对他眷顾提携之恩的"万壑松风"之"纪恩堂"为创作对象。查阅翻译"内务府造办处"等清史汉、满2种语言文献,进而证明冷枚《避暑山庄图》与沈嵛《避暑山庄三十六景图》分别创作于不同年代。
For the purpose of verifying the creation age of The Summer Resort Painting by Leng Mei of the Qing Dynasty, this paper studies the styles and characteristics of the Summer Resort royal garden during the reigns of Emperor Kangxi to Emperor Qianlong. By comparing historical materials of the court paintings of the Qing Dynasty, such as The Thirty-Six Sights of the Summer Resort by Shen Yu in Emperor Kangxi period and The General Plan of the Summer Resort as contained in Annals of Rehe Made by the Imperial Order in Emperor Qianlong period, it raises an objection to the "conclusion" on the age of creation of The Summer Resort Painting by Leng Mei. It analyzes the drawing method of Leng Mei, which was to exaggerate the main subject while abandon the supporting objects, to conclude that The Summer Resort Painting focused on "Ji’en Hall" in"Wanhe Songfeng", voicing Emperor Qianlong’s memory of his grandfather Emperor Kangxi for the grace of patronage. By consulting and translating literature of the Qing Dynasty, in Chinese and Manchu languages, in the Construction Office of the Internal Affairs Department, the authors have found that The Summer Resort Painting was created in a different age from Shen Yu’s The Thirty-six Sights of the Summer Resort.
作者
崔山
王娅侨
王其亨
杨菁
CUI Shan;WANG Yaqiao;WANG Qiheng;YANG Jing(School of Architecture, Tianjin University;College of Horticulture, China Agricultural University)
出处
《风景园林》
2019年第5期115-120,共6页
Landscape Architecture
基金
国家社科基金重大项目(编号14ZDB025)~~
关键词
风景园林
清宫廷绘画
《避暑山庄图》
冷枚
创作年代
landscape architecture
court paintings of the Qing Dynasty
The Summer Resort Painting
Leng Mei
creation age
