摘要
中央苏区时期,沙可夫曾任中央苏维埃教育部副部长,主编中央苏维埃机关报《红色中华》,主持审定"工农剧社"章程,参与创建高尔基戏剧学校,为中央苏区文艺事业作出了突出贡献。作为中央苏区戏剧运动的领导者和实践者,在此期间创作出多部剧作,革命下乡历经"大众"观念的转型,革命戏剧从"化大众"到"大众化",探索大众戏剧的集体创作方式,在中央苏区时期为苏区戏剧的发展呕心沥血。本文通过对沙可夫大众戏剧观念与实践的分析和探索,旨在更全面的认识与评价沙可夫大众戏剧观念与实践在中国现代文学发展上所具有的独特的文学价值和史学价值。
Shakof, who was in the Central Soviet Area, served as the Deputy Minister of the Central Soviet Ministry of Education. He edited the Central Soviet Organ newspaper "Red China", presided over the examination and approval of the "worker and peasant drama society" charter, participated in the creation of the Gorky drama school, and made a contribution to the literary and artistic career of the Central Soviet Area. As the leader and practitioner of the drama movement of the Central Soviet Area, during this period, he created a number of plays, revolutionized the countryside and experienced the transformation of the concept of "mass", revolutionary drama from "the masses" to "popularization", explored the collective of mass drama. The way of creation was painstakingly for the development of the Central Soviet Area during this period. Through the analysis and exploration of Shakespeare’s popular drama concept and practice, this thesis aims to understand and evaluate the unique literary and historical value of Shakof’s popular drama concept and practice more comprehensively in the history of modern Chinese literature history.
作者
朱芳
刘文辉
ZHU Fang;LIU Wenhui(School of Literature and Law,East China University of Technology, Nanchang 330013,China)
出处
《四川职业技术学院学报》
2019年第2期35-39,共5页
Journal of Sichuan Vocational and Technical College
基金
国家社科基金项目"20世纪中国文学的‘苏区经验’研究"(15BZW148)的阶段性研究成果
关键词
沙可夫
中央苏区
大众戏剧
Shakof
Central Soviet Area
popular drama
