摘要
王朝闻作为中国当代美学史上标志性人物之一,侧重于撰写民族化、大众化的通俗美学著作,表现出一种具有中国特色的诗性智慧,故而他在文风和学术理路上与其他学者有较大程度的差别。后来的美学史书写者对他的学术地位评价的各种差异,也与他的这种独特风格有关。理解王朝闻美学研究本身的意义和缺憾,是我们全面、立体地梳理中国当代美学史的一把钥匙。
As one of the landmark figures in the history of contemporary Chinese aesthetics, Wang Chaowen focused on writing works on the aesthetics of nationalization and popularization and showed poetic wisdom with Chinese characteristics.Therefore,he had great difference in writing style and in academics from other scholars.Later,his unique style contributed to aesthetics scholars' different evaluation of his academic status.Understanding the significance and limitations of Wang Chaowen's aesthetic research is a key to comprehensive and multi-angle combing of the history of contemporary Chinese aesthetics.
作者
简圣宇
JIAN Shengyu(College of Art and Design,Yangzhou University,Yangzhou,Jiangsu 225009)
出处
《扬州大学学报（人文社会科学版）》
2019年第3期96-110,共15页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
教育部人文社会科学研究一般项目(12AZD069)
关键词
王朝闻
通俗美学
诗性智慧
Wang Chaowen
popular aesthetics
poetic wisdom
