摘要
清代院体花鸟画作为传统中国国画体系的一种,其具有自己独特的时代背景和文化底蕴。当下陶瓷产业日趋繁盛,如何把清代院体花鸟画与当代粉彩花鸟画结合,在努力保持承袭国画花鸟画的精髓的前提下,创新发挥艺术家的设计思维,是当下陶瓷艺术家值得思考的问题。本文就当代粉彩花鸟画的创新思维、艺术风格、表现形式以清代院体花鸟画作为切入点进行比较研究。本文着重探讨清代院体花鸟画对当代粉彩花鸟画产生的影响,在主要研究其承袭传统院体花鸟画的技法、创作思想和装饰审美。然后把当代粉彩花鸟画与清代院体画鸟画进行比较研究,再深入了解当代粉彩花鸟画所形成额艺术特色和装饰风格。经过研究此类作品,希望对以后艺术家创新以及创作起到启发作用。
As a part of the traditional Chinese painting system, the imperial-court flower-and-bird painting in the Qing Dynasty has its own unique background and cultural connotation. In the flourishing ceramic industry, how to combine the imperial-court flower-and-bird painting of the Qing Dynasty with the contemporary famille rose flower-and-bird painting, and how to innovate and bring into play the artists' design thinking while keeping the essence of traditional Chinese flower- and-bird painting are the problem worth thinking for the current ceramic artists. This paper conducts a comparative study of the innovative thinking, artistic style and form of the contemporary famille rose flower-and-bird paintings with the imperialcourt flower-and-bird paintings in the Qing Dynasty. This paper focuses on the influence of court flower-and-bird painting in the Qing Dynasty on contemporary famille rose flower-and-bird painting, whose techniques, creative ideas and decorative aesthetics inherit the traditional court flower-and-bird painting. When comparing the contemporary famille rose flower-and- bird painting with the court flower-and-bird painting in the Qing Dynasty, the paper further discusses the artistic features and decorative style of the contemporary famille rose flower-and-bird painting. The study of those art pieces would hopefully inspire artists to innovate and create in the future.
作者
叶烈清
Ye Lieqing(Jingdezhen Ceramic Institute, Jingdezhen, 333000)
出处
《陶瓷研究》
2019年第3期23-25,共3页
Ceramic Studies
关键词
院体花鸟画
粉彩
国画
创新
imperial-court flower and bird painting
famille rose
traditional Chinese painting
innovation
