摘要
义和团身体表演的仿生对象是以巫武为基础的。其中,巫术冠以其神秘色彩预设了神人互通的本能具象,武术的戏剧操练朦胧了神人隐匿的身体潜能。神巫因素与武术因素共生于义和团的身体思维中,两者的“合谋”促生了团民身体意念的自我救赎并创设出多数人共有的乌托邦秩序,进而为“神人合一”的过渡提供了前提性可能。不论辩解的是,身体在神人之间的转换也为义和团的杀戮行为完成了自我救赎的道德教化,即将罪恶行为斥诸于世俗身体中并在神灵身体中得以解脱。
The Boxer’s body performance basically simulates witchcraft,in which the witchcraft presupposes the intrinsic image of God-man interaction with its mysterious feature.The dramatized practice of Wushu obscures the hidden physical potential of God-man.The witchcraft and Wushu coexist in Boxer’s bodymind,and the merger between body and mind gave birth to the self-redemption of Boxers and created the Utopian order shared by the majority of people,thus providing the prerequisite possibility for the transition of "the unity between “God and Man".No matter what the argument is,bodily transition between God and man has also accomplished the moral education of self-redemption for the killing of the Boxer,which can reprimand the evil behavior in the secular body and free the body of the god.
作者
李文
LI Wen(Shanwei soprts school, Shanwei 516600,Guangdong)
出处
《攀枝花学院学报》
2019年第5期98-103,共6页
Journal of Panzhihua University
关键词
义和团
身体表演
巫武
过渡仪式
救赎
boxer
physical performance
witchcraft
rites of passage
redemption
