摘要
体制性规训是小说中人物生存状态的外在规范,聂致远对体制性束缚采取了若即若离的立场态度:现实中认可而精神上抗拒。聂致远的这种体制化“活着”虽然不具有历史的必然性却是时代的使然。“之上”或“之下”是聂致远生命存在的内在追求,前者是他憧憬的“诗(意)”存在,后者是他的“真(实)”人生,在对“真”与“诗”的调和中聂致远完成了“活着之中”的价值选择。悲剧化品格是《活着之上》的审美基调,体现在聂致远身上则是一种悲剧性的生命体验,它产生的缘由既来自体制性生存的无奈和不堪,亦源于“活着之中”的暧昧不明的庸常性生命存在状态。
Institutional discipline was the external norm of the characters’survival status in the novel.Nie Zhiyuan’s attitude towards institutional restraint was neither friendly nor aloof:realistic acceptance but spiritual resistance.Although Nie Zhiyuan's institutionalized“living”was not historical inevitability,it was the result of the times.“Above”or“below”was Nie Zhiyuan’s inner pursuit.The former was his vision for the“poetic”existence,while the latter was his“real”life.In the reconciliation of“truth”and“poetry”,Nie Zhiyuan completed the value choice of“among living”.Tragic character was the aesthetic keynote of Above Living.What was reflected in Nie Zhiyuan was a tragic life experience.The reason for its emergence came from the helplessness and embarrassment of institutional survival.It was also stemmed from the ambiguous state of existence of ordinary life in“among living”.
作者
杨经建
YANG Jingjian(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)
出处
《湖南工业大学学报（社会科学版）》
2019年第5期1-8,共8页
Journal of Hunan University of Technology(Social Science Edition)
基金
湖南省教育厅(基地)科研项目“20世纪中国文学的母语化进程”(15K079)
