摘要
拟人化广泛存在于文学、电影、动画作品中,然而在舞蹈作品创作中拟人化也成为不可缺少的创作手法之一,这与舞蹈本身的特点密切相关。在深入探索中国传统美学范畴中"拟人化"的涵义基础上,通过研究拟人化舞蹈作品的根源及表现,分析舞蹈作品中极富"中国特色"的拟人化表现,提炼拟人化舞蹈作品创作的精髓,可以更好地将拟人化这一手法运用在舞蹈作品创作中,发挥其独特的艺术魅力。
Personification is widely used in literature, film, and animation. However, in the creation of dance works, personification has become one of the indispensable creative techniques, which is closely related to the characteristics of dance itself. Based on the in-depth exploration of the connotation of "personification" in the category of traditional Chinese aesthetics, the paper analyzes the abundant personified expression of "Chinese characteristics" in dance works by studying the root causes and manifestations of personified dance works, and refines the essence ofpersonified dance creation, in order to better apply the personification technique to the creation of dance works, give full play to its unique artistic charm.
作者
马亮亮
MA Liang-liang(School of Dance, Minzu University of China,Beijing 100081 ,China)
出处
《北京舞蹈学院学报》
CSSCI
2019年第4期101-104,共4页
Journal of Beijing Dance Academy
关键词
拟人化
审美
舞蹈作品
personification
aesthetics
dance works
