摘要
传统文学理论把文学活动分为世界、艺术家、作品和读者四个基本要素,造成文学批评与研究范式大体拘囿于对个别因素的静态封闭研究。而互动批评,一方面重视批评家对批评对象的挖掘与建构,另一方面,又关注批评对象在展开过程中对批评家的逆向敞开,旨在考察二者之间互文的、有机的互动关系。本雅明的波德莱尔研究既拓展了波德莱尔文学世界的美学空间,又实现了对自身批评实践的逆向发掘与观照。
The traditional literary theory contains that literary activities include four basic elements: the world,artists,works and readers,which result in literary criticism and research generally be limited in a static and closed research on individual factor. However,on one hand,the interactive criticism pays attention to the excavation and construction in targets of criticism; on the other hand,it focus on the process in which the target of criticism criticizes the critic in reverse at the same time,in order to investigate the inter-textual and organic interaction between them. Benjamin's study on Baudelaire both expands the aesthetic space of Baudelaire's literary world,and reflects on his own practice of criticism in reverse.
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2016年第6期73-80,共10页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
