摘要
历史维度的明星研究,需要努力还原明星产生的历史现场,可以看成是对明星文化进行反向"祛魅"的过程。在电影历史的阐释视野下,明星文化不仅折射出特定时代受众的集体心理,也喻示着电影与特定时代社会、大众、技术、商业之间的复杂关系。新中国电影70年明星生产从政治建构、艺术建构到商业建构的文化流变,折射出不同的电影生产机制、社会主题、公共影响。在明星叙事的背后,是更为宏大而繁复的政治、社会、经济、科技和文化叙事。
The study of stars in the historical dimension needs efforts to restore the historical scene of the emergence of stars, which can be seen as a process of reverse " disenchantment " of star culture. From the perspective of film history, star culture not only reflects the collective psychology of the audience in a particular era, but also indicates the complex relationship between film, society, the public, technology and commerce in a particular era. The cultural evolution of star making in the 70 years of New China’s films from political construction, artistic construction to commercial construction and the specific star construction model in different historical stages reflect different movie production mechanisms, social themes and public influences. Behind the star narrative there are grander and much more complicated political, social, economic, technological and cultural narrative.
作者
陈晓云
王之若
Chen Xiaoyun;Wang Zhiruo
出处
《电影艺术》
CSSCI
北大核心
2019年第5期71-76,共6页
Film Art
基金
2018年度国家社会科学基金艺术学项目“中国故事的影像生产”（项目编号：18BC033）之阶段性成果
关键词
中国电影
明星建构
明星文化
Chinese film
star construction
star culture
