摘要
中国古代的“翣”具有礼仪内涵,是一种典型的礼器之扇。丧葬仪式中用翣的制度开始于周代,翣的外观形制与仪仗卤簿扇相类,在使用上同样具有明确的礼仪规制,使用的数目规模对应着使用者不同的社会等级。古籍中有关于“翣”的图像信息,我们通过以“三礼”为中心的文献记载,可以了解古代翣的形制外观。新中国考古发掘的铜翣,既有西周时期的遗物,也有东周时期即春秋战国的葬品。铜翣原具有繁复的装饰,翣面纹案以云雷纹、兽面纹为主。铜翣在周代贵族墓穴中普遍存在的考古事实,也印证了《礼记·檀弓上》所记“周人墙置翣”的社会史实。早期墓葬中除了铜翣,还有羽翣等许多其他材质的翣出土,也是具有礼器之扇的功能。
In ancient China,"Sha"had a ritual connotation and was a typical ritual fan.The system of shackles used in funeral rituals began in the Zhou Dynasty.The appearance of the gongs is similar to that of the ceremonial fan,and there are also clear etiquette rules in use.The number of uses corresponds to the different social levels of users.There are image information about"Sha"in the ancient books.We can understand the shape and appearance of the ancient dragonfly through the documentary centered on the"three rituals".The bronze plaques excavated in the archaeological excavations of the New China,both the relics of the Western Zhou Dynasty and the funerals of the Spring and Autumn Warring States during the Eastern Zhou Dynasty.The copper enamel has a complex decoration,and the crepe pattern is mainly cloud-ray and animal-faced.The archaeological facts commonly found in the tombs of the aristocrats in the Zhou Dynasty also confirmed the social history of the book"The Wall of the Zhou Dynasty"written in"Book of Rites on Tan Gong".In addition to the bronze gongs in the early tombs,there are many other materials such as feather hoes,which are also the function of the ceremonial fan.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2019年第5期48-55,I0003,共9页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
江苏省哲学社会科学基金重点项目“江苏南朝石刻艺术的数字化保护与开发研究”(18YSA002)
国家社科基金艺术学重大项目“中华传统艺术的当代传承研究”(19ZD01)
南京邮电大学教学改革研究重点项目(JG00818JX67)，南京邮电大学“1311人才计划”资助
关键词
扇子
铜翣
羽翣
礼器
礼仪
Fan
Copper
Sha
Feather Sha
Ritual manners
