摘要
本文以《泥河》和《海神家族》两部百年家族小说为讨论文本,探讨陈烨和陈玉慧如何带着原生家庭的创伤记忆,从后二二八世代“女儿”位置,以一种“疗伤”的回溯视角,重新参与家族的兴衰历程,创作一部关于自己家族故事的半自传体小说,同时也是一部属于全体台湾人的家族小说。根据以色列心理学家克勒曼博士(Kellermann)针对犹太人大屠杀幸存者第二代进行研究之“创伤递型”理论,立论历史创伤记忆将经由跨世代交流过程,有意识或无意识地传递给下一代儿女。两位女作家承接来自上一代的精神创伤,并内摄成为自己的成长创伤,她们将自己投射在小说里的“女儿”角色,重启与历史事件和家庭创伤的对话空间,并带着疗伤意识“反传递”家族和解的企图,揭示后二二八世代无可避免承继上一代的创伤,却可以透过文学创作清理伤口,并回头给予社会推动共生和解的力量。
This essay aims to discuss Taiwan Residents female writers Miss Chen Ye and Chen Yuhui’s novels of their family histories.It claims the writers who write novels with traumatic memories from their original families in the position of post-228 generations with a“healing”retrospect point of view.Because of the background of 228 event elaborated in the novels,it assumes that Muddy River and Mazu’s Bodyguards are not only the writers’semi-autobiographies but also the stories of all Taiwan Residents people.According to the discourses“Transmission of Holocaust Trauma”by Mr.Kellermann,a psychologist in Israel,history trauma would go through a traumatized social process and pass to children over generations consciously or unconsciously.Reflecting on the novels we assert that Miss Chen Ye and Chen Yuhui,they inevitably inherit the history trauma from their parents and then project onto the“daughter”roles in the novels.They attempt to open conversation space between history event and family trauma,as well to“anti-transmit”a goodwill to both individual and collective conciliations.
作者
陈秀玲
Chen Xiuling(Taiwan Tsing Hua University)
出处
《职大学报》
2019年第6期38-44,共7页
Journal of the Staff and Worker’s University
