摘要
“姑苏版”版画滥觞于明末,盛于清康乾年间,做工精细且韵味雅致,既融合了中国传统绘画的技巧,也借鉴了西方艺术表现手法,具有极高的艺术价值。文章探讨了多元文化架构下“姑苏版”版画与文人画、界画、西洋画等之间的关系,以及在融合了各种绘画形式与风格之后,“姑苏版”版画如何形成了自己独有的审美风格。
The“Gusu Engravings”prints began in the late Ming Dynasty and flourished during the reign of the Kangxi and Qianlong emperors of the Qing Dynasty.They not only had fine workmanship and elegant taste,but also had extremely high artistic value.The“Gusu Engravings”not only had incorporated traditional Chinese painting techniques,but also had drawn on the western art style.Under the framework of multiculture,this paper studies the relationship between the“Gusu Engravings”and the literati paintings,boundary paintings and western paintings.The paper also explores the formation of the unique aesthetic style of the“Gusu Engravings”after integrating various forms of painting.
作者
庄唯
ZHUANG Wei(College of Art and Designing,Nanjing University of Finance and Economics,Nanjing 210046,China)
出处
《合肥工业大学学报（社会科学版）》
2019年第6期80-84,96,共6页
Journal of Hefei University of Technology(Social Sciences)
基金
江苏省教育厅高校哲学社会科学研究基金项目(2018SJA0254)
关键词
明清
“姑苏版”
审美构成
内涵
Ming and Qing Dynasties
“Gusu Engravings”
aesthetic composition
connotation
