摘要
克莱尔·德尼(Claire Denis)是当今法国电影界独树一帜的导演,也是世界影坛最杰出的电影作者之一。她的电影在题材选择和美学品位上都自成一格,尤其体现在对“身体”的表征上。目前国内学界鲜有针对其作品进行的系统研究。本文将首先聚焦电影与身体的关系,然后从以下三个方面来探讨其身体美学的建构:身体与后殖民;身体与哲学;女性身体与主体性。本文通过梳理西方学者对德尼电影的主要研究著述,期望为拓展国内学界对法国电影的研究提供新的视野。
Claire Denis is one of the most distinguished film auteurs not only within French cinema but also in world cinema.With her focus on the representation of the body in cinema,she has developed an identifiable set of thematic concerns and a unique style.Despite Denis s importance,no systematic discussion of her films is yet available in Chinese academic publications.A review of Western scholarship on Denis indicates three major concerns:the body and post-colonialism,the body and philosophy,and the female body and subjectivity.This essay will make the perspectives of Western scholars'research on Denis's films available to scholars in China.
作者
胡沥丹
Hu Lidan(College of Foreign Languages and Cultures,Sichuan University;the Chinese Department of Sichuan University)
出处
《探索与批评》
2019年第1期149-160,共12页
Inquiry and Criticism
关键词
克莱尔·德尼
身体
身份
后殖民
女性主体
Claire Denis
body
identity
post-colonialism
female subjectivity
