摘要
本文立足我国新诗体形式建设,梳理了百年新诗发展中关于新诗的诗行煞尾音组设置的理论探求和创作经验,得出了如下基本结论:煞尾音组设置的最佳选择不仅对格律体新诗音组等时停逗节奏起一种辅助作用,更能为自由体新诗另辟一条和音组节奏交相辉映的调性节奏新途径起重要作用。因此,诗行煞尾音组如何最佳设置必须及早提到新诗形式建设的议事日程上来。
Based on the construction of the new poetic form in China,this paper reviews the theoretical exploration and creative experience of the setting of the ending sound groups of new poetry in its development for a century and draws the basic conclusion that the best choice for setting the ending sound groups not only plays a supporting role in the isochronous rhythm of the metrical new poetry but also provides a new way for the freestyle new poetry to harmonize with the rhythms of the sound groups.Therefore,how to set the best setting of the ending sound groups of verses must be put on the agenda of the construction of the new poetry.
作者
骆寒超
LUO Hanchao(College of Media and International Culture,Zhejiang University,Hangzhou 310028,China)
出处
《常熟理工学院学报》
2020年第1期1-12,共12页
Journal of Changshu Institute of Technology
关键词
新诗体
格律
煞尾音组
new poetic form
meter
ending sound group
