摘要
"诗圣"杜甫与"悲秋之祖"宋玉精神相通,宋玉的代表作《九辩》开创了寓悲情于秋景的全新境界,杜甫的七律组诗《秋兴》八首从意象、意境及精神境界对宋玉的《九辩》都有全面的承继与发展,由此而成为唐诗悲秋主题的典范之作,代表了唐诗悲秋主题的最高成就,既体现了杜甫"别裁伪体亲风雅,转益多师是汝师"的兼容并包的好学精神,也彰显了文学发展的自然规律。
Poet-sage, Du Fu, had a spiritual connection with Song Yu, pioneer writer of Autumn Odes. Song’s representative work titled Jiu Bian, inaugurated a brand-new state for the poem genre of expressing sorrow to autumn scenery. Qiu Xing inherited the image, artistic conception, spiritual state from Song’s Jiu Bian, and developed the artistic aspects, therefor, Qiu Xing became a sample masterpiece for the similar poem genre in Tang dynasty, representing the highest achievement in that type. "Qiu Xing"not only indicates Du Fu’s integration of Song’s works and Du’s fond of learning, but also manifested the natural rules of literature development.
作者
李金坤
LI Jinkun(School of Liberal Arts,Jiangsu University,Zhenjiang 212013,China)
出处
《云梦学刊》
2020年第2期45-55,共11页
Journal of Yunmeng
关键词
杜甫
《秋兴》八首
宋玉
《九辩》
悲秋意识
Du Fu
eight poems of Qiu Xing
Song Yu
Jiu Bian
misery for autumn
