摘要
艺术电影《长江图》将特有的叙事方式与美学风格进行了有机对接,从审美维度而言体现了叙事美学与影像风格的非现实性重构。诗歌结构性地介入叙事,引导受众去思考以及推断画面的言外之意,影片中传统水墨画的画面呈现则体现了中国山水美学情景交融的思想内涵,进一步重新思考了在中国文化背景下现代人的生活空间以及价值取向。诗歌文本与影像风格的结合体现了独特的审美选择及体悟,因而极具问题价值。
The art film Crosscurrent organically connects the unique narrative style with the aesthetic style and reflects the unrealistic reconstruction of narrative aesthetics and image style from the perspective of aesthetics.The poetry intervenes in narratives to guide the audience to think and infer the implication of the paintings.The presentation of traditional ink paintings in the film reflects the ideological connotation of the integration of Chinese landscape aesthetics,further rethinking the living space and value orientation of modem people under the background of Chinese culture.The combination of poetic text and video style reflects unique aesthetic choices and perceptions and is therefore of great value.
作者
张艺静
ZHANG Yi-jing(Anhui Normal University,Wuhu 241000,China)
出处
《扬州职业大学学报》
2019年第4期19-24,共6页
Journal of Yangzhou Polytechnic College
关键词
《长江图》
诗歌
影像
叙事
美学风格
Crosscurrent
poetry
image
narrative
aesthetic style
