专栏主持人语——中国少数民族节庆仪式音乐的建构与认同被引量：7

Constructing self-identity in Chinese minority festival ceremony music

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摘要中国少数民族节庆仪式音乐,包含了长期沿袭下来的传统样式和在此基础上发展而成的当代样式两种基本类型。民族音乐文化身份的塑造或建构,如今不仅作为一种国族认同现象,发生在中华民族层面;同时也作为民族认同的另一种面目,分别存在于汉族和55个少数民族的社会文化层面。在当前上下一体"铸牢中华民族共同体"及国族文化认同意识的大趋势下,与之相关的少数民族音乐文化身份建构也势在必行,并且同音乐文化传承之间保持着共时并存、一体两面和"二元背反"的关系。作为身居学术界的传统音乐研究者和研究主体,我们或许并没有"非遗"传承(传播除外)的参与权和发展权;但对于民族音乐文化身份建构的问题,自己却难以完全置身事外。

作者杨民康 Yang Min-kang

机构地区中央音乐学院

出处《中国音乐》 CSSCI 北大核心 2020年第1期5-8,共4页 Chinese Music

关键词中国少数民族节庆仪式音乐建构与认同

分类号 J607 [艺术—音乐]

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参考文献3

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