摘要
进入新世纪以来,由于"体验经济"的崛起和"数字技术"的迅猛发展,中国戏剧出现诸多新的探索、新的形态,种种迹象表明有新的戏剧观正在前行。新现象要求新的美学阐释和理论发展。因此,"融合戏剧观"正是在前辈的理论成果基础上,试图对新的实践和新的形态作出回答。
Since the beginning of the 21st century,due to the rise of“experience economy”and the rapid development of“digital technology”,there have been many new explorations and new forms of Chinese theatre,indicating that a new concept of theatre is moving forward.The new phenomenon requires a new aesthetic interpretation and theoretical development.Therefore,based on the theoretical results of the predecessors,the“integrated concept of theatre”is attempting to respond to these new practices and new forms.
出处
《戏剧艺术》
CSSCI
北大核心
2020年第1期11-21,共11页
Theatre Arts
关键词
融合戏剧观
体验经济
新媒体演艺
国际化
integrated concept of theatre
experience economy
new media performing arts
internationalization
