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侗族鼓楼符号的表征面貌及文化价值解析 被引量:9

Topic:Explaination and Analysis of Meaning for the Appearance and Cultural Value of the Drum Tower in Dong Nationality From the Viewpoint of Semiotics
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摘要 鼓楼是侗寨的标志性建筑,表达了侗族人民的群体性观念认知和集体文化意识。在侗族历史上,鼓楼以其强大的精神涵化力量,在族群内部实施着政治、经济、教育、公共娱乐等社会职能。新时期,多媒体环境赋予鼓楼新的功能和价值。作为侗族的文化符号,鼓楼凭借其自身的媒介特质,发挥着对整个文化系统的传播功能。当今新经济形式下,民族地区旅游地文化重构、文化产业发展、精准扶贫工作推进、文化价值的保存增值等,无不需要鼓楼符号的价值外显得以实现。 The Drum Tower is cultural symbol of architecturein the Dong nationalvillage.Itexpresses the collective awareness and collective cultural consciousness.In the national history,Drum Tower carried out political, economic,educational, public entertainment and other social functions by its spiritual power hidden inside.New Era,it is entrusted with the new functions and value by multimedia environment.As a culturalsymbol,Drum Tower plays function in spreading the whole culturalsystem.Under the today’s circumstance of New Economy, cultural reconstruction of tourist destination, the development in cultural enterprise,advance of precision help poverty, Preservation and increment of cultural value and so on, achieving these goals above must depend on revealling value of Drum Tower symbol.
作者 秦越 QIN Yue(Qiannan Normal University for Nationalities,Duyun,Guizhou 558000,China)
出处 《贵州民族研究》 CSSCI 北大核心 2020年第3期133-139,共7页 Guizhou Ethnic Studies
基金 2017年国家社科重大招标项目“明清以来西南官话区地方志方言俗语集成”(项目编号:17ZDA313) 2018年国家社科基金西部项目“贵州珍稀地方文学文献整理研究”(项目编号:18XTQ006)的阶段性成果。
关键词 鼓楼 符号意义生成 功能价值 Drum Towersymbol Meaning generate functionsvalue
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  • 1史继忠.中国南方民族的建筑[J].贵州民族研究,1992,12(2):153-162. 被引量:3
  • 2Umberto Eco, A Theory of Semiorica ,Bloomington: Indiana Univ. Press, 1979,p.34.
  • 3Umberto Eco, A Theory of Semiotics, Bloomington: Indiana Univ. Press, 1976, pp.16- 17, p.231.
  • 4Jan Mukarovsky, Structure, Sign, and Function, New Haven: Yale Univ. Press, 1978, p.56.
  • 5Robert S Corrington,Nature's Self : Our Journey from Origin to Spirit, Lanham, MD: Rowman & Littlefield, 1996.
  • 6Peter Bugajilev, "Signs in Dress", in (eds) L Matejka and I.R. Titunik, Semiotics of Art, Cambridge, Mass,: MIT Press, 1979, 14.
  • 7Umberto Eco, A Theory of Semiotics, Bloomington: Indiana Univ. Press, 1979, 31.
  • 8斯特亚特·霍尔编.《表征》,徐亮,陆兴华译,商务印书馆2005年版,第4页.
  • 9"Nothing is a sign unless it is interpreted as a sign", Charles Sanders Peirce, Collected Papers ,Cambridge Mass:Harvard Univ. Press, 1931 - 1958, vol 2, p.308.
  • 10Ferdinand de Saussure, Course in General Linguistics, New York: McGraw- Hill, 1969, pp. 111 - 112.

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